Here at the Evergreen Studio we’re enjoying that warm fuzzy feeling of hibernation that only an Edinburgh winter can bring. Where storm force gales are offset by majestic pink and orange skies that last forever.
Now brimming with people, our co-working space off the Royal Mile is gearing up to celebrate its first birthday. Here at Melt we’ll also be crossing off a milestone as we enter our fifth year of trading in 2018.
Pictured above is a photo of our latest addition to the space, one of several lightboxes created for the Canongate Stars and Stories project.
It features poetry from Tessa Ransford (1938 – 2015), who founded the Scottish Poetry Library here in 1984 in the former packing room of Oliver & Boyd publishers. Tessa’s poem reads “Apollo winters here/strings his lyre like stars/through clouds”.
You can keep up to date with developments around Tessa Ransford’s work though the Occasional Poetry page we helped set up last year.
Coalfields Regeneration Trust Scotland has been actively working in several of Fife’s coalmining villages and towns for a number of years, leading projects and events that give people a greater say in how their place evolves.
We were commissioned by CRT to document one of their lively 4-day charrettes held in the excellent town of Kincardine, Fife. Famous for it’s bridge, it is also the birthplace of Thermos vacuum flask inventor, James Dewar.
Tucked away in the corner of Fife but with great transport links, Kincardine has a strong identity, social connectedness and civic pride. Perched on the Firth of Forth, it's charm is visible from the sky - a vantage point that will hopefully assist residents, architects and planners to take stock of the town as it grows.
The waterfront by the bridge became the focus of Place Standard surveys and dialogue led by Oliver Chapman Architects. Currently hemmed in by the railway track fence, many folk in the community want to open up the waterfront, creating places for local people and tourists alike to get out and experience it.
Oliver’s team also explored different ways to better connect and signpost local assets, including Devilla Forest, RSPB Skinflats reserve, and Longannet, Scotland’s last remaining coal-fired power station which is due to be demolished next year. We''ll be watching with interest to see how Kincardine evolves from here.
Thank you to the community for welcoming us in, and to our drone pilot, Pete Maughan, for flying us around Kincardine safely on such a nice day.
We’ve just wrapped a busy week of filming for the World Wildlife Fund (WWF), taking us from the impressive Edinburgh Centre for Carbon Innovation up to Edinburgh Castle, through to the several stunning Forestry Commission Scotland sites in Perthshire.
The week long study tour was organised by the New Generation Plantations platform (NGP). Led by WWF the NGP team are celebrating a decade of driving fairer, more sustainable forestry operations throughout the world.
It was an international affair with attendance from every corner of the world - Brazil, Peru, Tanzania, Uganda, Laos, Russia, Australia. Probably the largest and most animated delegation came from China, who are set to become the major player in the sector.
Our primary role in the process was to observe and capture dialogue during and between workshops that make these encounters so valuable. We were supported in that process by sound designer Dee O'Leary, camera operator Thomas Hogben, and experienced drone pilot Pete Maughan.
Conversations circled on the importance of productive woodland for carbon sequestration, developing a risk-based approach to landscape management, forest fires, and the potential of large-scale precision forestry. Many of the sessions were 'open agenda' and led by attendees, which was refreshing to see.
You can see the films over on the Melt Vimeo channel.
This month we've been working with Danish illustrator, Anders Frang, and the Scottish Crofting Federation (SCF) to create two large format banners explaining the history and future direction of crofting.
The project was a continuation of the short films we produced for SCF in 2016, and a great opportunity to get to grips with their current programme.
Aside from crofting’s rich history and culture dating back to the Neolithic period, one thing that jumped out to me was the way in which the circular and digital economies, were woven into SCF’s Skills Boost programme.
Many of SCF’s training programmes contain a digital component too, supporting crofters to diversify income streams by marketing their products and services online - while boosting digital literacy.
Anders is easily one of the most talented and knowledgeable illustrators I’ve worked with. I would highly recommend having a look at his website.
Over the last few years Melt has become a key supplier of engaging factual films for Scotland's third and public sectors. Continuing this momentum, we're excited to announce that our work with the Scottish Crofting Federation will enter the Ullapool Museum collection in 2017.
Engineered by Thomas Telford in 1829, the museum is an important focal point for the planned fishing village of Ullapool, and we look forward to seeing our film on display here when it reopens in April.
In other news, I just completed a 6-month programme led by the Scottish Documentary Institute with emerging filmmakers from across the UK. Highlights included workshops with Producer and former Head of Documentary at Arte, Thierry Garrel (below), and leading Storytelling Consultant and Editor, Susan Brand.
With some interesting new projects on the horizon, we're also expanding our team in 2017 with the inclusion of a talented local producer, and an Edinburgh-based sound designer. So if you think you've got a brief that fits with our work, we'd love to hear from you.